Marianne
"'Do I have to stop loving music because I'm old and decrepit? I didn't stop loving music when the sixties ended. The decade, or mine. Nothing's new. Things get changed, sometimes improved.' He paused before adding ruefully, But not often.' He sighed. Homeward Bound is the first novel by British author, Richard Smith. Newly widowed at seventy-nine, George Turnbull represents a problem for his son-in-law, Toby Waller. The solution is, of course to sell George's London house and put him in a care home. George's daughter Bridget is unenthusiastic about this idea, while George refuses point blank to consider it. After all, no care home would accommodate his piano or his extensive record collection. His eighteen-year-old granddaughter, Tara is heading off to uni in London and needs a place to live, but she is hesitant about sharing with her boyfriend, Mark. Is it the ideal solution? Would a uni student doing her course and having a social life be available to keep a subtle eye on her grandfather, who is getting frailer, even if he doesn't like to admit it? Might they muddle through together? George loves nothing better than to sit in his special music room, surrounded by his vinyl, revelling in the sleeve notes and the sound. Playing his piano, too, is important: he is working on a song inspired by his wife. "Missing Evelyn could be the hit song he never had in his career as support act for more famous groups. Now sustained by composing production music, a hit at his age would certainly wipe the smirk off his sneering son-in-law's face. Tara introduces Mark, whose idea of good music is his own: "Old-lampin, ghetto-grittin', steelo dealo pimped-out mamma-jamma scratch. When George hears it: "It was not music' by any definition George was familiar with. He instinctively put his hands over his ears and imagined inmates of Guantanamo Bay facing similar barrages of torturous noise. But when Mark sees George's music room, he is very interested in George's collection, although apparently only for the resale value. And then Robin turns up. Had been referred to as Robbin'. Bridget definitely isn't ready to forgive and forget, although Toby doesn't seem to share her ire. Is this untrustworthy in-law there to target an old man's most fervent desire? What a wonderful tale Richard Smith gives the reader. His characters are endearing for all their flaws and foibles, and if the plot seems to be heading in a predictable direction, there are some heart-warming surprises on the way too. As well as touching on the dilemma of aged care, the story explores the balance between family obligation and following one's dream. Included are some interesting musical tidbits and a generous dose of musical nostalgia that can be indulged with the Spotify playlist that the author provides. Yes, the title does refer to the song by Paul Simon, and there are surely many things worse than a Simon and Garfunkel earworm, if that's the result. This is a brilliant debut novel, moving and uplifting, and Smith's next work will be eagerly awaited.


